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61.
[Bookplate for Iser Steiman M.D. by A. N. T.]
Black ink on cream paper. Man, no shoes, chest bare, book hugged against torso with left arm, while right arm holds open a book held at eye level. Sunlight illuminates the man. Deciduous tree in foreground. Hills in background.
62.
[Bookplate for J. T. Donat Fortier]
Black ink on cream paper. A slim dotted border houses the title of the private library.
63.
[Bookplate for J.E.G. Bibliothèque]
Green ink on white paper. Thin green border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded green font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small green circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a green owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin green lines. Below the images is a thin green oval border that is straight on the top and bottom sides. Inside is curling thin green text sitting on a thin green line. At the right end of the line is another thicker perpendicular green line dividing the oval into two uneven sections.
64.
[Bookplate for J.E.G. Bibliothèque]
Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.
65.
[Bookplate for J.E.G. Bibliothèque]
Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.
66.
[Bookplate for James De Carteret]
An ornate border surrounds the text. There is a smudged line of ink running diagonally from the centre bottom of the bookplate to the upper edge of the border.
67.
[Bookplate for James G. J. Penderel Brodhurst by M. Soane]
This highly detailed bookplate contains an escutcheon quartered per cross, with a label (symbolizing an heir, first son) at the precise middle chief. The first and fourth quarters are argent (silver) with fretty of twelve pieces, embattled. The second and third quarters are argent, with a tree proper and a fess, argent with sable (black) fillet, containing three royal crowns. Upon the escutcheon rests a large coronet, resembling that of an earl. Above the coronet are two straight crest wreaths. On the dexter wreath is a nested swan, wings displayed argent and elevated, with fretty of twelve pieces, sable and embattled. On the belly of the swan is an argent mullet. On the sinister wreath are a crossed sceptre and sword. Above them is a royal crown. In between and on either side of the wreath symbols are what appear to be leaves. Above the wreath symbols is a banner containing the Latin motto. The escutcheon is accompanied by two supporters. The dexter supporter is a dragon with an argent mullet on its chest, while the sinister supporter is a griffin, also with a mullet on its chest. Below the escutcheon and the supporters is an additional banner.
68.
[Bookplate for James Henry Browning]
Centered text with multiple fonts in black ink.
69.
[Bookplate for Jean-Pierre Benoit Lacombe]
Textual bookplate with border at the corners of which are four clusters of roundettes.
70.
[Bookplate for Joseph Bemrose]
In black ink on tan paper, a simple gold border frames a light pastel-green crosshatched background.
71.
[Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal “Le Nord”]
Blue ink on cream paper. Capitalized, block, sans-serif letters are printed at the top of the bookplate. Below the text is gothic font in sentence case with a thin blue line framing it atop and below. In the center of the bookplate is an image of a right hand reaching out of a cloud to pour oil into an oil lamp with the flame burning. The lamp is elaborately decorated with floral and curlicue embellishments. The lamp sits atop a closed book with the spine facing out. The cloud extends behind the lamp and book as well. A thin blue line separates the image from sentence-case serif font and another thin blue line is below that text. Below the line is thin italicized font and a dotted line. At the bottom of the bookplate is a thin blue line directly above some smaller, sentence-case serif blue font.
72.
[Bookplate for Joseph-Olivier Archambault]
In black ink on yellow paper. A decorative border with integrated flowers and ornamentation in corners surrounds the text.
73.
[Bookplate for King Edward VI Grammar School]
Black ink on cream paper. Supporters are a lion rampant on the left side and a dragon on the right. Shield is quartered. Three fleur de lis in the upper left and lower right hand corners and three lions passant, guardant in the upper right and lower left hand corners. Belt with motto surrounds shield. Above is the crown of the king of England. Text appears in a bordered area below.
74.
[Bookplate for L. Emile Grothé by Aimé Dufesne]
Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font.
75.
[Bookplate for L’Institut Canadien]
Printed in black ink, a thick decorative border surrounds the text.
76.
[Bookplate for Lacombe Vincent by Carles Imprint Editor]
Pictorial bookplate. An illustrated border surrounds text in the center. Angels are on the top right and left hand corners. The left side angel holds a wreath in one hand and the right side angel holds a book in one hand. The angels also hold a banner that stretches between them with the name of the awarding organization on it. Below the angels is a border of morning glories. The plants meet at the bottom center of the plate, growing from beneath a pile of books and a globe. Four fonts used for the text, with spaces for hand-written annotations naming the prize recipient.
77.
[Bookplate for Laszlo Zilahi and J. E. Horvath]
Green ink on white paper. Man tightening a bookpress.
78.
[Bookplate for Les Religieuses de Sœurs des Saints Noms de Jésus et Marie]
The pre-formatted plate for awards is printed in black ink and multiple fonts, and filled in with a single hand. Above the text sits a cross entwined in daffodils with the motto of the religious order on scrolls above and below the cross, all encircled with a border. The text and insignia are enclosed in a thick, detailed decorative border.
79.
[Bookplate for Louis Berger by Rene de Brem]
In black ink. An open window looking out on a town and cathedral in front of clouds. An old man looking into a microscope with a skeleton and a nude woman (possibly Venus) looking over his shoulder. There are open books and a jar containing an indistinguishable object, possibly a fetus.
80.
[Bookplate for Louis C. de V Carrier]
Two lines of plain text with a dotted line under the last line.
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